In amongst her other work, Aliya Whiteley has published an impressive number of novels. She first came to my attention when I read The Arrival of Missives and realised she produced original stories in a style I wanted to read more of. Her writing is playful and imaginative, mind bending and intoxicating. Her characters defy stereotypes yet remain ordinary alongside the various features that make them extraordinary.
Greensmith opens with an introduction to its protagonist, Penelope Greensmith, in the form of an online dating profile. We learn that she is a scientist in her fifties who is now somewhat lonely. A war is mentioned, one that caused her to flee to a remote cottage with her life’s work. She collects and catalogues seeds, building a flower bank that includes many species which may now be extinct. The Collection was started by her late father, who raised her following the death of his wife. Penelope’s grown up daughter, Lily, does not share her mother’s passion for the ongoing project.
With a basic background in place, plot gathers pace when a stranger, Hort, arrives unexpectedly in Penelope’s cottage garden. He wishes to talk to her about her Collection and the device used to prepare the seeds for storage – named the Vice. Although wary at first, the thought of the online dating app reminds Penelope she was looking for greater connection with the world beyond her current existence. When news of a virulent plague reaches her, one that is killing all plant life across the globe, she must decide on her future.
When considering life and its preservation, man has a habit of focusing on himself and, perhaps, other mammals. Yet all living creatures rely on plants for air and sustenance. If the plants die suddenly – in this case coating the world in green sludge – it will not take long for every other life form to expire.
It turns out that Hort is an inter-galactic traveller looking for a solution to the virus that is affecting many planets, not just Earth. He asks Penelope to become his companion – bringing along her Vice and Collection – to try to save her world. Hort is persuasive, and Penelope rather likes the idea of becoming a hero.
So, Greensmith is science-fiction. This requires a degree of world building, or should I say universe building, which the author tackles with a hefty dollop of humour. She gets around some tricky concepts by pointing out the limitations of language. How, after all, can something be accurately and fully described in English when nothing like it has ever been seen or experienced by any English people?
The human brain has a habit of anthropomorphising – it sees shapes in clouds, faces on tree trunks or such items as potatoes. When confronted with beings and situations beyond her comprehension, Penelope copes by seeing them as something she can recognise and name – she is, after all, an expert in cataloguing. Her first aliens, other than Hort, are flamencos. She views their antagonists as lizards dressed in armour, knowing they look different to beings from other worlds who will define by their own standards.
Hort is harder to pin down. Attractive and enigmatic, reservations hover around his trustworthiness. Having left Earth with him, however, Penelope has little choice but to follow his lead. The one thing she will not give him free rein over is her Vice and Collection. Hort struggles to understand how he is not unquestionably her handsome hero in the film he creates of his actions and subsequent memories.
As plot is developed and progressed, the author’s writing style comes into its own. Each diversion offered is a delight as well as a further layer in the quirky world building. Penelope never loses sight of her goal – to save planet Earth and thereby her daughter. What she comes to realise is how insignificant one time and place is in the scale of the universe – yet how important the smallest thing can be in making life worth preserving.
“when the largest things made no sense, relief could reside in the smallest objects, the ones that needed so badly to be cherished, instead.”
The denouement ties up threads with aplomb, leaving a sense of satisfaction without compromising all that has gone before.
Any Cop?: This is a tale that is clever yet lightly rendered, offering much to consider within a universe created from witty concepts playing with recognisable features. It is science fiction that focuses on the fun side of storytelling, with a hat tip to how astonishing our natural world is. A timely yet always entertaining reminder that Earth deserves wider protection – not management – for the good of us all.