Jhumpa Lahiri is a multi-award winning author who had somehow passed under my radar. I am pleased to have now rectified this. Another reviewer described her writing style – as I’ve found it to be in Whereabouts – perfectly: “Lahiri spins gold out of the straw of ordinary lives”.
The narrator of the story is an accomplished and independent woman. She lives alone in her Italian city flat – a mix of life choices made and circumstance. Her day to day existence is ordered and materially comfortable. The routines she has developed keep her grounded, although at times she mulls possibilities missed through roads avoided.
“Is there any place we’re not moving through?”
Structured in short chapters, the reader is taken on a journey through the woman’s daily habits and wider experiences. She shares observations on: her surroundings, her thoughts on those encountered, herself and how she reacts. There is an underlying melancholy to many of the musings. Insights shared are succinct and candid, raising issues of interest alongside personal history.
The narrator’s childhood generated an abiding dislike of her parents. She still visits her mother but derives little pleasure from the older woman’s company.
“In spite of how she’s clung to me over the years, my point of view doesn’t interest her, and this gulf between us has taught me what solitude really means.”
There are regular catch-ups with a variety of friends, although the narrator can be scathing about those they introduce her to. On meeting a childhood friend’s husband for the first time, when the couple visit the city with their child, she writes of his pomposity, considering him ill-mannered.
“He mentions that his father was a diplomat and that he was raised all over the world. […] The city doesn’t enchant him, after just two days he’s complaining about our haphazard way of life. […] And I wonder, what exactly did he learn about the world after living in all those different countries?”
Mentions of past lovers attempt to normalise that some were married. There is a brief temptation to take a platonic relationship with the husband of a friend further. Mostly she accepts her solitude and the freedom it brings to live as she chooses. Her life is notably one of comfort and privilege, as are the lives of her friends.
One chapter describes a vacation at an empty country house, offered by the owner as a pick-me-up when the woman goes through an unexplained hard patch. There is a visceral description of her reaction to a decapitated mouse – how the mind can induce absurd terror from unexpected minor upsets. Such insights are presented with consummate clarity.
The honesty in the writing at times includes negative traits. These are dissected with the same candour as all other thoughts and feelings shared. The narrator exhibits a selfishness she is free to nurture as she lives alone and may choose who to spend time with – and when.
Despite her attainments, the woman lacks confidence in certain areas.
“I’ve always felt in someone’s shadow, even though I don’t have to compare myself to brothers who are smarter, or to sisters who are prettier.”
Unlike most of the writing in this tale, the gender divide inherent in this thought grated.
The woman describes herself as disoriented, bewildered and uprooted yet she comes across as solidly able – capable of thinking through experiences and expressing herself clearly. This begs the question what has been omitted – what aspects she has chosen not to share.
The final chapter provides an excellent metaphor for the sadness of the ingrained detachment she has cultivated – of moments missed through her unwillingness to step outside the comfort zone created. The narrator is aware of this shortcoming, and that the bricks on which a life is built often crumble. She ponders the possibility of change.
The short vignettes provide a window into the woman’s world but are far from a complete back-story or description of her current situation. This adds to the story’s skilful pacing and how strands are woven together.
Any Cop?: A spare yet evocative study of a chosen existence presented with impressive lucidity. A reminder that lives move forward, ripples intersecting, ramifications rarely predictable.